Lisa Hopkins Seegmiller

Lisa Hopkins Seegmiller is America’s only TONY Award-winning, GRAMMY Award-nominated, Ivy League-educated singer, actress, and vocal technician. Trained at Yale University (B.A. Theatre Studies/Acting) and Manhattan School of Music (M.M. Classical Voice), Lisa made history on Broadway as Mimì in Hollywood film director Baz Luhrmann's La Bohème, launching a unique career that spans opera, musical theatre, pop, and classical crossover, including The Narrator in Joseph, Grizabella in CATS, and Christine in Phantom of the Opera.

Trained by legendary voice teachers, Marlena Malas (Juilliard) and Patricia McCaffrey (Curtis), Lisa captivates audiences with exceptional technique, emotional intensity, and remarkable linguistic versatility, performing the virtuosic & multi-lingual repertoire of the Baroque, Classical, Romantic, and 20th-century eras. Her sweet spot with audiences is classical crossover, where she reinvents iconic hits like “Time to Say Goodbye,” “The Prayer,” “Nessun Dorma,” “Pie Jesu,” and “Il Mio Cuore Va (My Heart Will Go On).”

Lisa has appeared on ABC with Katie Couric, NBC at Radio City Music Hall, and in top fashion magazines, including Vogue, Vanity Fair, Elle, and British Elle. She has also been celebrated by world-renowned photographers and artists, including Douglas Kirkland (photographer of Marilyn Monroe), Herb Ritts (Vogue), Annie Leibovitz (Vanity Fair), and legendary sketch artist, Al Hirschfeld.

Now mentoring the next generation of world-class vocal athletes in her Southern Utah vocal studio, Lisa resides on a ranch in Dixie National Forest with her husband and their four children. For bookings, lessons, or masterclasses, visit www.lisaseegmillerstudios.com or www.lisahopkinsseegmiller.com.

Aubrey Adams-McMillan

Aubrey Adams-McMillan is a versatile mezzo-soprano with an expansive career spanning opera, concert, and chamber music. She has performed a diverse range of operatic roles, from the dramatic intensity of Madame de Croissy in Dialogues des Carmélites to the comedic charm of Bertha in Il barbiere di Siviglia. Her repertoire includes iconic roles such as Gertrude in Hansel and Gretel, Albine in Thaïs, Madame Armfeldt in A Little Night Music, and Dorabella in Così fan tutte, with performances at Utah Opera, Central City Opera, and the Spoleto Festival USA.

Equally accomplished in concert repertoire, Aubrey has been a featured soloist in masterworks such as Verdi’s Requiem, Mahler’s Symphony No. 2, Dvořák’s Stabat Mater, Pergolesi’s Stabat Mater, and Mozart’s Great Mass in C Minor. She has collaborated with ensembles including the American Festival Chorus, Salt Lake Choral Artists, Southwest Symphony and the Cathedral of the Madeleine concert series. Her international performances include Duruflé’s Requiem for the 80th commemoration of D-Day in Paris under maestro Craig Jessop. She is also dedicated to contemporary music, premiering works such as Together and Lover by Jared Oaks.

Aubrey’s extensive training includes programs with Central City Opera and the Spoleto Festival USA, and she has been recognized as a National Finalist in the National Opera Association competition, along with receiving honors from the Metropolitan Opera District Auditions.

From grand opera stages to intimate chamber music settings, Aubrey’s artistry shines in both traditional and modern repertoire, captivating audiences with her expressive performances and technical mastery.

Thomas Glenn

Grammy Award winning tenor, Thomas Glenn is a versatile, dynamic, and exciting tenor in many of the prominent opera houses of the world including, San Francisco Opera, The Metropolitan Opera, The Lyric Opera of Chicago, Netherlands Opera and The English National Opera among others.

His expertise is demanded in baroque and bel canto works such as the Evangelist roles in Bach's Passions (St. Matthew and St. John, performed from memory) in multiple productions by Atlanta Symphony, and Ferrando in Mozart’s Così fan tutte with English National Opera. He is also well-known for premiering new works by composers such as John Adams (Doctor Atomic), Damien Geter (American Apollo), and Tarik O'Regan (Heart of Darkness).

Most recently, as soloist with the Philadelphia Orchestra at Avery Fisher Hall in New York, and during their tour to Beijing, China, under the baton of Marin Alsop, Thomas debuted Roydon Tse's Yellow Crane Tower, which prompted the review, "Tenor, Thomas Glenn was heroic in his narration of the tale."

Also recently, at the premiere of American Apollo by Damien Geter at Des Moines Metro Opera, the review stated, "Mr. Glenn showed off a gleaming, secure lyric tenor of considerable sheen and beauty. His dramatic commitment and vocal excellence were commendable."

In 2025, Thomas performed the high flying, Signor Adolpho Pirelli in Sweeney Todd at Utah Opera, which was reviewed as "zany" and "expertly sung". This year also brought two productions of Le nozze di figaro as Don Basilio/Don Curzio, at Utah Opera and at Palm Beach Opera, prompting the review, "Thomas Glenn was brilliant ... He demonstrated agility on stage... along with a smooth and even tenor voice."

As a soloist in concert repertoire, Thomas has considerable experience in works as varied as Beethoven’s Missa Solemnis, Stravinsky’s Svadebka, Britten’s War Requiem and many others, with orchestras such as Seattle Symphony, San Francisco Symphony, China National Symphony, Macau Symphony, and including a recent performance in Oedipus Rex with the Philharmonia Orchestra of London, Essa-Pekka Salonen conducting.

Thomas is a graduate of the Adler Fellowship at San Francisco Opera, where he sang for nine consecutive seasons. He is also the head of the voice program at Utah State University where he teaches voice and composition.

Seth Keeton

Bass-baritone, Seth Keeton’s performances have been described by The New York Times as “driven” and “emotionally pointed,” and “stentorian” by Opera News. He has performed roles on the stages of opera companies throughout the United States, and Theater Bremen in Bremen, Germany. In 2006, he was a national finalist in the Metropolitan Opera National Council Auditions.

In 2018, he was featured on a recording, Chamber Music, Volume 2, of forgotten composer, Richard Stöhr, and 2020 saw the release of Transparent Boundaries, an album of art song set to the poetry of Whitman and Dickinson. As a scholar, Keeton has created the online song index SongHelix, that simplifies the discovery of related art songs. This free resource can be found at www.songhelix.com.

Dr. Keeton received his Doctorate of Musical Arts in Vocal Performance from the University of Minnesota and is an Associate Professor of Voice at the University of Utah.

Dr. Nancy Allred-Wright is Professor of Music and director of piano studies at Utah Tech University. She has developed Utah Tech’s outstanding piano program and mentors a wonderful studio of piano majors. She strives to instill a deep love for learning, music, and continuous improvement in her students. An accomplished soloist and chamber musician, Dr. Allred-Wright is a distinguished collaborator of vocal, choral, and instrumental music. She holds advanced degrees from Brigham Young University and the University of Missouri-Kansas City, studying piano with Paul Pollei, Robert Smith, and renowned professor Joanne Baker. Dr. Allred-Wright has a deep love for choral music and is the Artistic Director for Lieto Voices. She was honored by the Music Teachers National Association as a Foundation Fellow during the 2022 MTNA National Conference. She has taught hundreds of piano students throughout her career and is frequently asked to give workshops and presentations at music educator conferences, sharing her knowledge and expertise with her fellow music educators.